These pencils came out pretty well, if I say so myself. Compare to the layout I posted earlier to see how important it is for an artist to have a decent roadmap to use in completing a drawing. There are times when a drawing just flows, and then there are times when you just fight the piece, maybe even starting over in frustration. In my personal experience, I do better in the pencil stage when an editor does not ask for figure changes on a sketch or layout. "Turn the head to the left," or "tilt the torso backwards just a bit" comments always mess with my head. What may be small adjustments often will throw off the whole figure to me, and if I attempt my finishes from the original sketch and just "turn the head to the left," I get into trouble! In many ways, I enjoy doing interior pages more because no layouts need to be submitted for approvals, as they do with covers.
One of my weaknesses is a desire to jump to the finish stage prematurely, such as beginning to ink before the whole drawing is down on the board. But then, I like venturing into scary territory on paper, as I like inking from a bunch of scribbles to "find" the drawing.
Hellboy is copyright and trademark 2011 by Mike Mignola
3 comments:
Yeah, I'd definitely read Hellboy drawn by you. Well done!
Hi Jerry
I love an story with Mignola on scripts and you on the drawing.
Best.
Tomás.
http://eldibujantesinpoderes.blogspot.com/
Thanks for the comments. I did have fun with this pin-up, and I'm a bit peeved that it was never used. I don't really know what happened, whether Al Gordon ever inked it, or why it never got used. Anyone have Mike Mignola's email address? Best,JER
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